Panorama

A realm of organic formation where various free associations create new habits and meanings. The reinterpretation of Brazilian modernism by Cristina Celestino sets no boundaries: constant dialogue with the natural world teaches a lesson, immediately triggering relationships of full and empty, light and heavy, pale and dark in a perpetual game of surfaces, materials and colors.

The classification of urban features, transformed into domestic imagery, happens through the specific use of materials and techniques belonging to the Brazilian tradition, such as curved walnut.

The collection consists of: Paisagem, a sofa with large and comfortable dimensions, a set of low tables called Atois, Altopiano consolle, Girandola vis a vis padded bench, Paraiso the armchair and Jardim the planter: a design synthesis that embraces two continents and many identities.