The project reformulate the means and gestures around an eucharistic host, deprivedo of its religious value and used as texture. The result, translated into a dressing table with a basin and pitcher, can be read on many levels.
The romantic dressing table has been cleared out, abstracted in volume and transformed into an “aesthetic altar”. The host’s shape repeated on surfaces generates the texture while digital prints use the discs as blank canvases. The intimate gesture becomes an intimate space for hedonistic enjoyment.
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